The Church Of Tom Penny
Ben Kelly
- November 06 2009
- 44 comments
THE CHURCH OF TOM PENNY
Tom Penny Through The Eyes Of His Disciples
Words by Mackenzie Eisenhour
Exerted from our December issue on sale now
Tom Penny has amassed a cult following over the years that borders on something of a religion. For those of us who witnessed his maiden voyage assaults—either on video or firsthand—back in the early 90s, his Midas touch and supernatural reign over skateboarding are a given of biblical proportions. Tom was like urethane that fell into in a box of clay wheels. Once he landed, skateboarding could never go back. Any questions are null and void. Yet, for the younger readers out there (yeah, that’s you COTG), looking back today and wondering exactly why old men far and wide see God’s gift to skateboarding in a soft-spoken, bearded, XXL-clad nomad currently residing in Argentina—or is that throughout Europe?—I can understand, or at least pardon, some confusion. As the trite expression goes, I guess you had to be there. The following dudes were.
SKIN PHILLIPS
The TransWorld front blunt cover was forever debated whether he made it or not. It almost didn’t matter. It’s not like he’d stop trying a trick because he slammed. It was more like he just got bored.
Yeah. For the record, he didn’t roll away from that. But that was Penny. I mean, most people were shooting photos of 50-50s or five-0s on that thing. Just to get into a front blunt and slide it that casually was amazing. He just did things or he didn’t. He wasn’t going to go back and force himself to do something. He just did what he felt. He didn’t go back to do the front blunt. He just didn’t care.
Was Tom’s approach to skateboarding there from the get-go?
Absolutely. He must have been about fourteen when I saw him at Harrow. It was around ’91. He was already pretty gnarly and smooth at a real young age. It was definitely baggy-pants, small-wheels days, so he was little bit lost in his clothes. But everybody was already aware of him in the U.K. It might be fair to say that it all kind of came together for him at Radlands ’93. There were all sorts of stories even from that where he showed up, did his one run, and left half way through the comp. When he won, they had to call him to get his mum to bring him back to find out he’d won. That was just sort of the way Penny was. He was nonchalant. He sort of didn’t realize—I don’t think he’s ever realized the impact he’s had on skateboarding. He never thought about it. Everything was just natural. Were his lines thought out before? Probably to an extent based on what he’d been doing in practice. But none of it was premeditated like, “Right, I’m gonna do this here, then hit the hip, then hit the pyramid.” It was just flow.
Describe the Earl Warren downhill line. Back tail ender on the rail.
Mind-blowing. F—king mind-blowing.
The beauty in that one to me was that some other guy could have done the same line, as gnarly as it was. But another dude would have been running through the first couple tricks and you’d just see the stress start to kick in like, “Okay, I got the kickflip down the three stairs, now here comes the rail—tense up, get ready.” But with Penny it was just in the now. He’s just messing with a switch ollie, messing with a switch flip, big switch 180, kickflip the stairs, and then, “Oh, here’s a rail. Guess I’ll back tail it. Sounds fun.”
Yeah, right [laughs]. Like, “Here we go. I’ll just let the board do the work.”
Tom’s infamous Earl Warren line (3:00) in the Flip Industry section from 411 Issue 11
It’s like the combination of his la-de-da composure with the difficulty of the tricks that just baffled me. Have you ever seen another dude that you could put in a similar class?
I don’t think there is really. I mean, Chad [Muska] had that going a bit. Jeremy Wray was doing monstrous things, and [Andrew] Reynolds was pushing the limit, but Tom’s demeanor was just unique. The other thing with Tom and really all the Flip guys when they came over was that they were absolutely unfazed by contests or demos. That’s just what they grew up skating.
You were at the chain-to-bank?
I do want to say that was probably the last time I ever filmed. The switch backside flip was probably the absolute last trick I ever filmed. I remember getting back to the office and they were like, “Where are the photos?” and I was just like, “Sh-t.” I just knew I was witnessing something special and I thought it just had to have two angles. So just based on how insane that moment was I made a decision to make sure it got documented. It was more important than my job as a photographer. That’s how much we knew it meant to skateboarding.
Tom’s chain-to-bank annihilation in TransWorld’s Anthology
GEOFF ROWLEY
In those days he was clearly leaps and bounds ahead of anyone else. But it was that kind of unconscious approach that made it just impossible to comprehend. How do you describe his approach?
Well, the people that knew him knew it was natural. He wasn’t trying to be cool and look nonchalant. He really did skate like that naturally. Left to his own devices, that’s just the way he rolled. He was insanely innovative, and it just seemed to come from somewhere deep inside him. He single-handedly opened up a whole new realm of street skating that at that time needed to happen. The constant drive that everybody started to have after that almost came from the push he brought to the game. He was a wake-up call to skateboarding, sort of reigniting the flame [Pat] Duffy had lit with his Questionable [1992] part. He made it okay to make an effort again—it put some balls back into the mix.
Give the story of the Cheech and Chong graphic.
At the time, all the graphics we were doing were very early comic book. Tom loved Cheech and Chong for obvious reasons. He’s had a bunch of rad ones that he’s brought to Flip. But that one, along with the mushroom board, is probably the most iconic. We winged it at first, then eventually they found out. Cheech Marin was rad enough to continue letting us make the board as long as he got some royalties. So we actually still pay him on a monthly basis. Cheech Marin has been on the Flip payroll since 2000. So you can thank Cheech for that graphic or it would have been long gone. It came out in ’96 and is still one of our best-selling boards today. So that’s thirteen years strong. Cheers, Cheech.
ANDREW REYNOLDS
Tell us about the San Dieguito rail assault [High Five, ’95].
Oh man. The switch flip. It’s unexplainable. That whole thing is just like the Penny package. It’s like a display. Not many people have got kickflip, frontside flip, switch frontside flip, and switch flip all looking exactly the same. It wasn’t even really that common to do tricks over handrails at that point. He just killed it.
What about Chicken’s pool [High Five, ’95]?
Oh man. I have to tell this one [laughs]. I went to Chicken’s pool this one time to skate and just thought like, “I want to try and frontside flip where he got the little hip,” you know? He did the kickflip back tail and then he just went down and did that kickflip stuck to the wall over that hip. I figured I could frontside flip on a quarterpipe, so I should be able to frontside flip this little hip right? I tried it, and seriously every time the thing would just shoot me out to the flatbottom [laughs]. Like completely out of control. There was just no way I could do it. After that I was just like, “I don’t get it.” His was just this delicate little thing, just stuck to that wall. Flatground and vert are like the same thing to that dude.
The article is called “The Church Of Tom.” Is it fair to call you a disciple?
[Laughs] Hell yes. We got to spread the word, man.
Tom’s San Dieguito rail assault and Chicken’s pool magic from etnies’ 1995 video High Five
CHAD MUSKA
Describe living in Newport Beach, with a beer sponsor and Tom.
[Laughs] Yeah. Man, basically a month after I met him we were both on TSA and ended up living together. TSA’s owner had a house right on the beach with one room available. We both moved into the room with our mattresses on either side of it. I was so psyched. It was the first bed I’d had in like six years or something. From then on we just skated together, partied together, and chilled pretty much every day. He started filming for the etnies video, the TSA video, and Flip, and I was filming for Welcome To Hell (1996). It was rad to just feed off of each other.
What does the kid that’s scratching his head and furrowing his brow over why the Penny legend is so big need to understand?
At the time that Tom started on the scene, it was just unimaginable to see the kind of progression he was bringing to the table. Nobody was doing the things he was doing. Not even close. People might look at it now—they might look back and not realize how insane it was. Because these days that stuff is normal in skateboarding. But back then, nobody was kickflipping over ten-stair handrails. That was just something like, “Holy sh-t!” It just blew you away. Like the rail in Huntington—I think it was a twelve-stair at the courthouse across from the skatepark. I remember just being there and seeing him frontside flip over that thing. I couldn’t believe he did it. You’d watch him rolling away and it still hadn’t registered in your brain.
What about his demeanor?
Yeah. Damn. That was pretty much the craziest part of it all. It was almost like he didn’t know he was doing anything special. None of it was conscious. Nothing he’s done has been conscious [laughs]. It’s just all-natural. His whole life is like that. I remember we’d be at Huntington Park and decide like, “Hey, let’s go to Ed [Templeton]’s house.” Then on the way to Ed’s house we’d pass by these random sets of stairs that were f—king huge. We’d be walking up to them and I don’t think he even looked at them first—he’d just roll up and kickflip ’em first try. He’d be rolling away and you’d be like, “Oh sh-t, I better pick my board up and walk down these stairs [laughs].” That was just all the time. Anywhere you went he would just bust something—no cameras, nothing. None of it was ever planned in any way. It was never like, “I’m gonna do this and I’ll get this cover and be a superstar.” It was just, “Oh, there’s an obstacle in front of me and I want to do this down it.” Boom. “I’m just doing it.” For more on Tom, including new photos, pick up the December issue on sale now.
Tom’s part in TSA’s 1996 video Life In The Fast Lane
»
November 6th, 2009 at 7:21 pm
This is such an awesome article! I felt like I was living my youth all over again watching these videos. Good job guys.
http://skatemodo.com/
November 6th, 2009 at 7:39 pm
FInally. Awesome.
November 6th, 2009 at 11:40 pm
yeah insane style, i got an old snow/skate vhs film from 98 called gas money - thats the first time I saw him.
November 6th, 2009 at 11:40 pm
Wow … Memories
November 7th, 2009 at 1:19 am
fuckin sick!
November 7th, 2009 at 1:43 am
this converted me to the church of tom, where do i sign up?
November 7th, 2009 at 2:02 am
Tom Penny is the master.
Bow Down!
Extremely Sorry part is bananas as was every other part this dude made.
Thank you Tom Penny for skating so well.
November 7th, 2009 at 3:18 am
tom penny 4 ever
http://www.myspace.com/13vengaza
November 7th, 2009 at 3:42 am
whats up with him now huh?
November 7th, 2009 at 5:32 am
This guy is a natural, i see people skating the same trick for hours trying to land it, heck he was doing this way before anybody had a clue whats up.Mega props
November 7th, 2009 at 6:05 am
@ FEEL
he's banned from the us…….i saw a video not too long ago with him in like south/central america i think…..hes got a girl and a kid…..he's chillin..skatin..LIVIN….
November 7th, 2009 at 7:09 am
somewhere deep in my smoky memory bank, there was (i think) an independent video produced called Nation(?)…anyway, I recall a very short commercial or something with Tom skating to Stereolab. Can anyone comment or help me recall this? Thanks!
November 7th, 2009 at 11:10 am
is it just me or is this one of the best articles Transworld's done in a longgg time.
November 7th, 2009 at 3:08 pm
he lives in argentina now!
November 7th, 2009 at 3:33 pm
burnquist?
November 7th, 2009 at 6:22 pm
He's in Copenhagen, Denmark. he's been here since the Extremely Sorry premiere. just chillin & skatin
November 7th, 2009 at 8:32 pm
Tom's style is bigger than just skateboarding… if you ask any professional snowboarders like JP Walker, Jeremy Jones or Devun Walsh i think anyone of them will list Tom Penny as an influence. You can see it in the way they snowboard
November 8th, 2009 at 12:27 am
best section on the site so far
November 8th, 2009 at 2:28 am
This article was AWESOME, Tom Penny is a LEGEND….period.
November 8th, 2009 at 4:19 am
the tsa shit at huntington is ridiculous.
November 8th, 2009 at 9:37 am
i remember seeing the clips of the kickflip, fs flip, switch flip, switch fs flip. I was young and i just thought WOW what am i watching… legend.
November 9th, 2009 at 1:44 am
who cares what those dudes think about Tom or anybody else? About as relevant some NASCAR racers opinion of Tony Hawk.
November 9th, 2009 at 1:55 am
well since most all pro snowboarders skateboard it make alot more sense then that
November 9th, 2009 at 6:32 am
most suck though. minus white.
November 9th, 2009 at 6:39 am
that graphic was the board i bought for my little brother when he first got into skateboarding.
He was eleven and doing kickflip grinds and heelflip front boards on this 2 foot rail off my back deck onto a walkway. This was on his FIRST ever skateboard of his own, he stopped skateboarding when he was 13. he is now straight edge, judgemental, and distant 19 year old.
I honestly feel part of tom pennys spirit must have gotten into my younger brother, and those are still my best memorys of him in our childhood.
that alone is enough to label me as one of toms followers.
November 9th, 2009 at 9:59 am
tom penny 4ever!!!!!!
November 9th, 2009 at 4:01 pm
Penny!
November 9th, 2009 at 5:31 pm
This is how everyone should be not only at skateboarding but life relax, breath easy and when you do something exceptional just be humble about it, don’t moan none stop for three years that you kickflipped a set of stairs be grateful you had that opportunity in the first place as millions of people would love to do that but never get a chance to ride a skateboard.
November 9th, 2009 at 10:41 pm
Thanks, TWS.
November 12th, 2009 at 7:51 am
that's a good reading
November 14th, 2009 at 3:35 pm
Tom came to our town in 1992 and did one trick, a nollie noseslide on a kerb. About 30ft like it was nothing. Still never bettered. Legend.
November 15th, 2009 at 12:56 pm
just trying to point out that Tom Penny is bigger than skateboarding. His style influenced how people ride boards, and what people wear. And it is relevant since we're talking about Tom Penny.
November 21st, 2009 at 6:08 pm
this is less than half of the actual article
November 27th, 2009 at 12:21 am
el mejor de todos. la banda de argentina te extrania
December 2nd, 2009 at 5:55 pm
Tom you tha man!
January 19th, 2010 at 9:13 pm
Tom Penny to me is like a modern day Jay Adams. He took skateboarding to a level that no one thought possible. In the early days Tom was ahead of his time. Doing maneuvers that others wanted to know and the style that goes with it. In my book I think everyone should be thankful for what Tom Penny has done for skateboarding. He is a natural and modest. Many people probably dont actually know that Tom's part in Really Sorry was actually supposed to be Menikmati, But because of the Flip video Es had to use recycled footage of Tom which was still up to par with everyone elses part.
January 19th, 2010 at 9:14 pm
He didnt care about money either or fame before Kostons shoe came out Es asked Tom if he wanted a pro shoe and what he wanted it to look like. So he sent them a box of dirty old Timberlands goes the story. If I had one wish, I would wish for Transword to produce a new skate video that looked at all the greatest parts in their library and put together a full length video that focused on them. Calling it Rewind meaning there is no end in skateboarding and to cherish the past with the present. My picks would be
Tom Penny - Anthology
Tony Trujillo - In Bloom
Matt Mumford - The Reason
Chad Muska - Anthology
Marc Johnson - Modus Operandi
John Cardiel - Sight Unseen
Heath Kirchart - Sight Unseen
Dan Drehobl - Free Your Mind
February 10th, 2010 at 12:03 am
Superb Article!
In '96 or '97 I was living with Mon Barbour (founder of SS20) in Oxford, and Tom came to stay for a month or so - but it felt more like six! I'm ashamed to admit it - but I had to kick him out of the house in the end…
He'd turn up with the most sketchiest shitheads imaginable, but he was completely oblivious to how dodgy these fucking leeches were! He wasn't malicious or anything - he's simply not on the same planet as the rest of us, which is probably a good thing…
February 10th, 2010 at 12:05 am
To continue…
Mon had been floating Tom boards for years - like since he was 12 or something - back before Flip started when they were just in the UK and called Deathbox. Jeremy Fox was onto him way back then though. You could see how special he was even when he was a kid. Just the most natural skater you could ever hope to see - and such a massive contradiction! I used to watch him skate and think how can he do all this stuff and be so totally unaware of how supremely talented he is?
I guess whatever goes on in his head happens at a deeply subconscious level. Certainly he was always too stoned to be conscious of anything much when I was with him. In fact it's a miracle he was able to skate at all considering how off-his-face he was - which is even more of a testament to the massive talent he possesses…
I can honestly say it was a privilege to watch him skate.
I can also say it was not a privilege to live with him